I want to taste the lizard rice
people with siblings love saying shit like "you never played first degree murder knife chase?"
Jack Harlow looks like if they power washed Post Malone
Homie this the same dude
Can we just… normalize teens loving their parents? Like obviously you’re not obligated to if your parents are shitty, but damn, I love my mom. She’s there for me all the time and sure we have rough patches but honestly she’s the greatest. Like. We need teens to know that they don’t have to hate their parents just cause.
It must be nice to come from a nonabusive family. One that doesn’t traumatized every emotional interaction to the point where you drive away any sign of love as a form of manipulation because that’s all that you were raised with. 🤷♀️
It is.
Reading Comprehension
but loving ur parents is already normalized and its the kids w/ abusive parents that actually have to deal with misunderstandings and ignorance from others regarding this topic.
Hey there, I’m talking about the trope where it’s seen as super uncool to like your parents that was literally pushed on teens through the media since the culture shift in the early 60s. The post has nothing to do with abusive parents. I was abused as a kid and honestly if the trope where teens have to hate their parents to be cool died, then kids with actual abusive parents would have an easier time recognizing abuse this has been a psa
“if the trope where teens have to hate their parents to be cool died, then kids with actual abusive parents would have an easier time recognizing abuse”
Teen with abusive parents: I hate my parents
Teen influenced by society: Me too mine are the worst
The takeaway for teen 1: This is normal and it’s supposed to be this way
The takeaway for teen 2: My friend’s parents are like mine
The takeaway for any adult listening: All kids who complain about their parents are just being rebellious
this is important
This buttery, chamomile tea-scented loaf is a sweet pop symphony, the Abba of cakes. A pot of flowery, just-brewed chamomile isn’t required for drinking with slices of this tender loaf but is strongly recommended. In life and in food, you always need balance: A sip or two of the grassy, herbal tea between bites of this cake counters the sweetness, as do freeze-dried strawberries, which lend tartness and a naturally pink hue to the lemony glaze. This everyday loaf will keep on the counter for 3 to 4 days; be sure the cut side is always well wrapped.
is there anyone out there with a nyt cooking subscription
will they send me the chamomile tea cake with strawberry icing recipe
Ingredients
Yield: One 9-inch loaf
½ cup/115 grams unsalted butter
2 tablespoons/6 grams chamomile tea (from 4 to 6 tea bags), crushed fine if coarse
1 cup/240 milliliters whole milk
Nonstick cooking spray
1 cup/200 grams granulated sugar
½ teaspoon coarse kosher salt
2 large eggs
1 large lemon
2 teaspoons baking powder
1 teaspoon pure vanilla extract
1½ cups/192 grams all-purpose flour
1 cup/124 grams confectioners’ sugar
½ cup/8 grams freeze-dried strawberries
Preparation
Step 1
In a small saucepan, melt the butter over medium heat. Add 1 tablespoon chamomile to a large mixing bowl. Pour the hot melted butter over the chamomile and stir. Set aside to steep and cool completely, about 1 hour.
Step 2
Use the same saucepan (without washing it out) to bring the milk to a simmer over medium-high heat, keeping watch so it doesn’t boil over. Remove from the heat, and stir the remaining 1 tablespoon chamomile into the hot milk. Set aside to steep and cool completely, about 1 hour.
Step 3
Heat oven to 350 degrees. Grease a 9-by-5-inch loaf pan with the nonstick cooking spray and line with parchment paper so the long sides of the pan have a couple of inches of overhang to make lifting the finished cake out easier.
Step 4
Add the sugar and salt to the bowl with the butter, and whisk until smooth and thick, about 1 minute. Add the eggs, 1 at a time, vigorously whisking to combine after each addition. Zest the lemon into the bowl; add the baking powder and vanilla, and whisk until incorporated. Add the flour and stream in the milk mixture while whisking continuously until no streaks of flour remain.
Step 5
Transfer the batter to the prepared pan and bake until a skewer or cake tester inserted in the center comes out clean (a few crumbs are OK, but you should see no wet batter), 40 to 45 minutes. Cool in the pan on a rack for 30 minutes.
Step 6
While the cake cools, make the icing: Into a medium bowl, squeeze 2 tablespoons juice from the zested lemon, then add the confectioners’ sugar. Place the dehydrated strawberries in a fine-mesh sieve set over the bowl and, using your fingers, crush the brittle berries and press the red-pink powder through the sieve and into the sugar. (The more you do this, the redder your icing will be.) Whisk until smooth.
Step 7
If needed, run a knife along the edges of the cake to release it from the pan. Holding the 2 sides of overhanging parchment, lift the cake out and place it on a plate, cake stand or cutting board. Discard the parchment. Pour the icing over the cake, using a spoon to push the icing to the edges of the cake to encourage the icing to drip down the sides dramatically. Cool the cake completely and let the icing set.
We out here torrenting recipes now? Reblog
CHEERS TO GUY WALTON FOR “OUTING” THE FOSSIL FUEL COMPANIES
From the article:
Walton has devised his own criteria for named heatwaves in the US, based on duration and extremity, on a one to five scale similar to hurricanes. Heatwave Chevron is classed as a four and is “historic”, Walton said. The meteorologist said he has a list of 20 oil and gas companies – including Exxon and Shell – for upcoming heatwaves and will turn to coal companies if he runs out of names.
OUTSTANDING MOVE
Y'all know what to do. Use Walton's naming system. Make it catch on.
How the media depicts the Apollo 11 mission:
Actual quotes from the Apollo 11 mission:
also according to michael collins when the three of them were discussing what neil armstrong should say when he first stepped on the moon, collins suggested armstrong say “Oh, my God, what is that thing?” and then scream and cut out his mic.
Everyone forgets Michael Collins and it’s fucking tragic.
gonna call in a shitter like it's a medevac helicopter and I'm a wounded GI in the jungles of Vietnam
imagine getting in one of these and sitting down and a few seconds later you feel it lift off the ground
too busy imagining one of these malfunctioning and raining shit from the sky onto the populace
imagine getting crushed by one of these
JUST. BUILD. PUBLIC. TOILETS.
100% Disagree
It’s an underdog story about classism in which the folk hero (Johnny) is confronted by a powerful man (the Devil) who tries to exploit the hero’s perceived ignorance and inferiority by offering a great reward with impossible odds. Although Johnny warns him that looks can be deceiving, and that he’s going to regret the dare because Johnny is the “best there’s ever been”, the devil is blinded by his greed and arrogance.
The devil creates an awful cacophony of technically excellent fiddle playing that would be impossible for Johnny to replicate. It’s a trick.
But Johnny just grins at him and starts to play “simple” classic country fiddling songs - Fire On The Mountain, House Of The Rising Sun, and Daddy Cut Her Bill Off. He doesn’t rise to beat the Devil - he simply creates his own music from his home, in the style that he knows, and his love of it and the familiarity of the music make his “backwoods” fiddling more perfect than the Devil could ever achieve.
It is thus the devil’s pride, not Johnny’s, that allows Johnny to Bugs Bunny his way into a golden fiddle.
(In that sense, I do agree that it is the most American song: in a land of prejudice and inequities, great power lies - dormant but ever-present - in those we underestimate and attempt to exploit.)
Also people initially react to the devil's part like "holy shit that's badass" because he's got electric guitar and bass and a whole backing band to make him sound good. Of course he sounds amazing. But if you drill down to the actual fiddling -- and this is straight from Charlie Daniels -- it's not as technically difficult as what Johnny does. It's fast? But it's mostly just going up and down scales.
Here's a good performance -- the devil's part starts around 2:00. Check out how long Daniels just stands there holding his fiddle while the guitar and piano carry the weight. I love that piano bassline but fiddling it ain't.
It's still an American narrative: if you can afford to hire a bunch of more talented people, you, too, can look like a genius. Doesn't make you one.
